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portfolio


portfolio

DIGITAL

Digitally-generated design samples, including 3D models, renderings & architectural plans drafted using CAD software–from a selection of projects

COMMERCIAL

Civic, commercial and corporate work, from streetscapes in Long Beach to a massive green 'roof' in Guadalajara

 

GARDENS

Designing a garden
can be rewarding and personal–like creating
a one-of-a-kind, handmade gift

RESIDENTIAL

Six residential projects present a variety of design features, styles and strategies, ranging in scale, scope & context

HAND DRAWINGS

Long before there was AI, there was something called Hand-Eye...Coordination, that is. A selection of hand- illustrated visuals, from a bygone era when designers could land a contract simply by deploying a powerful sales tool: the cocktail napkin sketch

TESTBEDS

Proving grounds:
Two of the designer's home gardens on opposite coasts

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experience

digital
commercial
residential
hand drawings
testbeds
experience
GREEN ROOF
PRODUCT MANAGER

ICS Group, Inc

​     Representing Carlisle-Syntec | Latin America

Torrance, California: 10|2008 - 9|2011

WORE MY HELMET TODAY

WORE MY HELMET TODAY

So can we slide down it now, or nah? ASKING FOR A FRIEND.

HEYYY!!! BIG PRESENTATION I SEE!

HEYYY!!! BIG PRESENTATION I SEE!

Lookin' sharp up there, dog. So... What's the subject? How the BAGGY LOOK is coming back?

GARDEN DESIGNER + NURSERY ASSOCIATE

Ricardo's Nursery

Garden of Eva LDG

Ketti Kupper A+D

Hollywood, California​: 9|2000 - 10|2008

IF I WERE A FLOWER, WHAT WOULD I BE?

IF I WERE A FLOWER, WHAT WOULD I BE?

That's easy. I'd be an OPIUM POPPY. Cuz then I'd be DOPE.

"WHAT IN THIS PHOTO IS BIG, PURPLE & PENDULOUS?"

"WHAT IN THIS PHOTO IS BIG, PURPLE & PENDULOUS?"

You asked, with that smug grin. "THE WISTERIA," we replied, with our icy glare. And you left it at that.

HIS INVOICE FOR THE GARDEN DESIGN WORK, THAT WAS REASONABLE.

HIS INVOICE FOR THE GARDEN DESIGN WORK, THAT WAS REASONABLE.

It was the bill we got later for "Impromptu Pantomime Stylings Onsite" that we really questioned.

LANDSCAPE DESIGNER

Sole practice / Independent contractor

California & Florida: 9|2011 - 4|2023

I JUST ATE ALL OF YOUR EUPHORBIAS

I JUST ATE ALL OF YOUR EUPHORBIAS

And they all were just simply YUMZSH.

WE GOT TIRED OF LISTENING TO THE INSTALLATION CREW BITCH

WE GOT TIRED OF LISTENING TO THE INSTALLATION CREW BITCH

About how you're always late to the jobsite. So we sent them home. Hope you brought your shovel.

THAT FOUNTAIN LOOKS GOOD ENOUGH TO TAKE A DIP IN...

THAT FOUNTAIN LOOKS GOOD ENOUGH TO TAKE A DIP IN...

Just NO diving. And NO topless sunbathing either. This is NOT France.


RESUME
About


about

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PATRICK c 2002 GARDEN OF EVA.jpg
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contact

atrick has possessed a mad zeal for growing things ever since he was

P

a wee lad growing up in Fairfield County, Connecticut.

 

The pastoral suburb of Trumbull, where he was raised, provided the ideal setting for cultivating such interests, as well as a constellation of others that earned his fascination and enterprise.

 

Patrick's first experiments in cultivation took place on the ample grounds surrounding his family's home, and the lean-to style greenhouse adjoined to it played host to the year-round expansion of both his plant collection and his plant knowledge, which he sought to increase first-hand almost ceaselessly.

 

While his peers plotzed over porn publications pilfered from parents, Patrick was pining over a page in a  Parks Seed Catalogue which presented a preview of perennial plants proffered in the spring pipeline.

After graduating with a BA in Theatre from Bard College in upstate New York, Patrick relocated to San Francisco, California. Not long after arriving there, however, he found himself even farther afield—teaching English in Brazil. With its dazzling tropical flora, biomorphic architecture, and stunning landscaping displays, it was perhaps here that the seeds of inspiration were planted. It would be almost a decade, however, before they germinated.

 

Returning to San Francisco following this great adventure, and throughout the 1990s, Patrick continued to pursue his many occupational and avocational interests. This included graphic design and layout work for trade publications and advertising agencies, the copy editor position for The Sun Reporter newspaper, and advertising sales for Odyssey Magazine.

 

In 1998, Following the dot-com boom, which forced many of San Francisco's much-celebrated Bohemian set out due to a sharp rise in the cost of living, Patrick relocated to Los Angeles, where he would spend the next 25 years carving out a long sought after career in landscape design in earnest. 

 

There, he received a ground-up tutelage of the trade selling nursery stock for a grower at various farmers markets. This led to small design/install projects until he'd amassed enough clients to fly solo. In time, he would return to academia to pursue accreditation in landscape architecture at UCLA Extension.

Today, Patrick's knowledge of plants and expertise in landscape design encompass over 30 years of hands-on skills and expertise derived from a combination of formal training, field experience and a passion for doing what he loves.

Since 2000, Patrick has practiced his design craft in a wide variety of conventions and contexts. In addition to project work with individual business and homeowners, he has been exclusively retained by celebrated designers such as Eva Knoppel and Ketti Kupper, as well as in contracted partnerships with housing developers, HALCO, DHA and Peterberg Construction. 

 

Patrick has practiced design in two states: southern California and southeasten and northeasterm Florida, and currently resides in Houston, Texas.

+1 323-972-6820

© 2025 by PATRICK JOHN O'CONNOR. All rights reserved. All content is original or duly licensed for use herein. Visual and editorial content, including animations, project imagery, and project graphic exhibits (i.e., architectural drawings, three-dimensional models, hand-renderings, plans & other works of design) are presented as original samples/specimens created by the author and presented herein as means of demonstrating general technical skill, occupational experience, and the various forms, styles, and contexts in which these are applied in actual commissioned work.

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